Emir by Dana was launched in 1935 in France, a decade defined by the pursuit of elegance and escape. The world was still in the throes of the Great Depression, and the opulent fantasy of the East captivated the imagination of the West. Perfume houses, ever attuned to cultural fascinations, often turned to exoticism to craft fragrances that transported the wearer to distant lands of wealth, intrigue, and splendor. Emir was Dana’s answer to this longing for luxury—a scent steeped in mystery, inspired by the grandeur of the Persian courts, and designed to evoke the golden age of perfumery.
The name Emir was a deliberate and evocative choice. Derived from Arabic (أمير, pronounced “ay-MEER”), the word means “prince” or “commander.” It carries connotations of nobility, power, and a lineage of rulers who presided over grand courts filled with silks, jewels, and, most importantly, exquisite fragrances. Dana’s founder, Javier Serra, understood that perfume was more than a scent—it was a gateway to fantasy. A 1949 newspaper article recounted how Dana sought inspiration in the courts of Persian Emirs, where perfume was not merely a luxury but a treasure, a gift worthy of royalty. It was whispered that a fragrance bearing the Emir’s name could work magic, weaving an aura of enchantment around its wearer. "You can almost believe, as you wear the Emir’s perfume, that at night—anything can happen."
Women of the United States had to visit Cuban shops in order to obtain the perfume, which was unavailable in America at that time. By the time Emir was introduced to the American market in 1939, the world had endured the devastation of the Great Depression, which ushered in a period of both uncertainty and hope. Women, many of whom had to economize or do without, hungered for beauty, for indulgence, for the ability to dream again. A perfume named Emir would have embodied these desires, offering a touch of the exotic, a return to old-world grandeur, and a sense of opulence that had been missing for years.
