Cuir du Canada by Dana c1947

Cuir du Canada by Dana, was launched in c1947. Meaning "Canadian Leather", it is a quite rare perfume to find. One generally sees perfumes labeled "Cuir de Russie" (Russian Leather) by various manufacturers but I believe that Dana was the only company who produced a Canadian leather perfume.

Celisse by Dana c1982

Celisse by Dana: launched in 1982. It was named Celisse  because the company thought it was romantic-sounding, and, most important, a name that everyone could pronounce.

Bon Voyage by Dana c1958

Bon Voyage by Dana: launched in 1958.

Bridal Bouquet by Dana c1969

Bridal Bouquet by Dana, first launched in 1935 under the name "Ramilette de Novia" in Spanish-speaking countries, was relaunched in 1969 with the English name "Bridal Bouquet." The choice of this name carries a timeless association with weddings, purity, and the romantic imagery of a bride’s flower arrangement. The term "bridal bouquet" refers to the flowers carried by the bride on her wedding day, often composed of fresh, fragrant blooms chosen for their symbolism and beauty. The word "bridal" refers to anything related to a bride, while "bouquet" refers to a bunch of flowers, typically arranged in an elegant and visually pleasing way. When combined, "Bridal Bouquet" evokes images of innocence, celebration, love, and new beginnings—all feelings associated with a wedding day.

In 1969, a time of cultural change and fashion experimentation, Dana’s decision to reintroduce Bridal Bouquet under this evocative name was not coincidental. The late 1960s were marked by a shift toward both personal and social liberation, with trends that favored both elegance and simplicity in women’s fashion. The 1960s also saw the rise of the modern bride, someone who was more likely to choose an elegant, timeless wedding bouquet, perhaps made up of white flowers like lilies, roses, and orchids, which symbolize purity, love, and commitment. The flower imagery tied to weddings perfectly complemented the ideals of this era—romantic, hopeful, and forward-looking.

The name Bridal Bouquet aligned well with the cultural ethos of the 1960s, a time when floral scents were in high demand, especially for women’s fragrances. Florals were seen as the epitome of femininity and grace, and a scent called Bridal Bouquet would resonate strongly with women of the time who desired a perfume that represented these qualities. The association with weddings, romance, and the purity of fresh flowers would have appealed to women looking for a fragrance that was elegant, fresh, and sophisticated—traits often desired in both the ideal bride and the ideal fragrance.

Dana Perfume Tester Racks

Great looking tester racks for Dana perfumes, made up of black Bakelite. Perfumes shown are: Emir, Tabu, 20 Carats, Platine, and Ambush

Kali by Dana c1950

Kali by Dana was introduced in 1943, a time when the world was engulfed in the turmoil of World War II. In the midst of such chaos, the choice of the name "Kali" is particularly evocative, as it draws from the rich tapestry of Hindu mythology. The name Kali originates from the Sanskrit word "kāla," which means "black" or "time," and it is associated with the Hindu goddess Kali, a figure often depicted in duality. On one hand, she embodies destruction and darkness, famously known for slaying demons and symbolizing the fierce aspects of feminine power. On the other hand, she is revered as a compassionate mother-goddess, a protector who aids her devotees. This duality evokes a spectrum of emotions—from fear and awe to comfort and nurturing—making the name Kali both powerful and complex.

In terms of scent, Kali was classified as an oriental fragrance, a category known for its warmth and exotic depth. The name itself conjures images of rich, dark spices, velvety florals, and sensual woods, capturing the essence of both the goddess's fierce nature and her nurturing side. American women of the time, navigating a world shaped by war, may have been drawn to this fragrance not only for its aromatic qualities but also for its symbolic connotations. Kali would have offered an escape, a touch of the exotic, and a reminder of the strength inherent in femininity.

Ambush by Dana c1955

Launched in 1955, Ambush by Dana is a fragrance that stands out not only for its composition but also for its provocative name. The choice of the name "Ambush" is intriguing, as it evokes strong imagery and emotions. The word "ambush" is derived from the French word embuscade, which refers to a surprise attack, often sudden and unexpected. The term carries a sense of stealth, tension, and unpredictability. It conjures images of something hidden, poised to strike, which contrasts with the more traditional, romantic names often chosen for perfumes. By naming their fragrance Ambush, Dana may have been looking to evoke a sense of allure, mystery, and sudden intrigue, inviting the wearer to embrace a bold and unexpected persona.

The 1950s was a transformative decade in many ways, particularly in the realms of fashion, culture, and perfume. It was a period marked by post-war optimism, the rise of youth culture, and an era of conspicuous consumption. This time was characterized by a resurgence of femininity in fashion, with Christian Dior’s "New Look" (1947) continuing to dominate the style of the early 1950s—full skirts, fitted waists, and an emphasis on hourglass silhouettes. Women’s clothing, though elegant and refined, began to evolve as the decade wore on, with designers like Pierre Cardin and Jacques Fath introducing more youthful and casual styles that embraced the growing demand for more freedom in movement and expression.

Emir by Dana c1935

Emir by Dana was launched in 1935 in France, a decade defined by the pursuit of elegance and escape. The world was still in the throes of the Great Depression, and the opulent fantasy of the East captivated the imagination of the West. Perfume houses, ever attuned to cultural fascinations, often turned to exoticism to craft fragrances that transported the wearer to distant lands of wealth, intrigue, and splendor. Emir was Dana’s answer to this longing for luxury—a scent steeped in mystery, inspired by the grandeur of the Persian courts, and designed to evoke the golden age of perfumery.

The name Emir was a deliberate and evocative choice. Derived from Arabic (أمير, pronounced “ay-MEER”), the word means “prince” or “commander.” It carries connotations of nobility, power, and a lineage of rulers who presided over grand courts filled with silks, jewels, and, most importantly, exquisite fragrances. Dana’s founder, Javier Serra, understood that perfume was more than a scent—it was a gateway to fantasy. A 1949 newspaper article recounted how Dana sought inspiration in the courts of Persian Emirs, where perfume was not merely a luxury but a treasure, a gift worthy of royalty. It was whispered that a fragrance bearing the Emir’s name could work magic, weaving an aura of enchantment around its wearer. "You can almost believe, as you wear the Emir’s perfume, that at night—anything can happen."

Women of the United States had to visit Cuban shops in order to obtain the perfume, which was unavailable in America at that time. By the time Emir was introduced to the American market in 1939, the world had endured the devastation of the Great Depression, which ushered in a period of both uncertainty and hope. Women, many of whom had to economize or do without, hungered for beauty, for indulgence, for the ability to dream again. A perfume named Emir would have embodied these desires, offering a touch of the exotic, a return to old-world grandeur, and a sense of opulence that had been missing for years.

Tabu by Dana c1932

Tabu perfume by Dana, a legendary creation born in 1932, is a fragrance that has captured imaginations and provoked curiosity for decades. Conceived by the master perfumer Jean Carles, Tabu was the result of a unique and bold challenge: to craft a perfume so sensuous and provocative that it could be described as "un parfum de puta," or a perfume that a prostitute would wear. This brief from Dana's creative team was not merely to shock or titillate but to explore and embody a scent of raw, unapologetic sensuality—a scent that defied conventions and embraced the allure of forbidden passion.

Jean Carles, renowned for his ability to blend unconventional notes into harmonious compositions, approached this task with his characteristic flair. The resulting fragrance, Tabu, is a testament to his artistry and daring vision.

The creation of Tabu as "un parfum de puta" was a bold and provocative move, one that challenged the norms of its time. It was not merely about creating a scent that was overtly sensual but about capturing the essence of uninhibited passion and desire. Tabu was designed to evoke a world of forbidden allure, a world where societal boundaries are blurred, and sensuality reigns supreme. It is a fragrance that invites exploration and seduction, a scent that has become iconic for its rich, intoxicating blend of florals, spices, and earthy notes.

In this guide, as we delve into the sensual world of Tabu, we are not just exploring a fragrance but also a piece of history—a symbol of daring creativity and the timeless allure of passion. Tabu continues to captivate and enchant, a true testament to the enduring power of scent and the artistry of Jean Carles. Whether you are new to this classic fragrance or a longtime admirer, Tabu offers an experience that is as rich and complex as the emotions it evokes.

Platine by Dana c1938

Platine by Dana was launched in 1938 in France and reached the U.S. by 1939. The name Platine (pronounced pla-teen) comes from the French word for platinum, a precious metal known for its rarity, strength, and gleaming silvery-white appearance. By choosing this name, Dana aligned the fragrance with the luxury and exclusivity that platinum represents. The bottles themselves were designed to reflect this, with silvery foil flakes floating inside, mimicking the brilliant, refined qualities of platinum. This choice of name and packaging subtly communicated the fragrance's elegance, sophistication, and the high status associated with platinum.

But why would Dana choose platinum as an inspiration for a fragrance? Platinum, by its very nature, is rare and valuable, making it a fitting metaphor for a perfume meant to evoke a sense of luxury. At the time, platinum was often associated with wealth, power, and the elite, making it an aspirational element for those who sought a touch of opulence. Platinum jewelry reached its zenith during the Art Deco era. The word Platine itself evokes images of cool, gleaming surfaces, precious metals, and rare beauty, all qualities that would be desirable in a fragrance. Platinum's high value also made it an ideal symbol for a fragrance meant to appeal to the sophisticated, well-heeled women of the time. In Spanish-speaking countries, the fragrance was released as Platino, reinforcing its precious connotation.

The late 1930s and early 1940s were times of upheaval and transition, as World War II loomed on the horizon and Europe was in turmoil. For women, fashion was shifting from the extravagant styles of the late 1920s and early 1930s to the more restrained, practical outfits of wartime, but there was still a desire for luxury and escape through beauty products. The allure of a fragrance named Platine would have offered women a way to maintain a sense of glamour, sophistication, and escape, even in a world filled with uncertainty. Perfumes like Platine allowed women to connect with a sense of femininity and elegance, even in the midst of challenging times.

20 Carats by Dana c1933

First introduced in 1933, 20 Carats emerged as a follow-up to Parfums Dana's groundbreaking debut fragrance, Tabu, launched just a year prior. The name "20 Carats" evokes a sense of rarity, opulence, and unparalleled quality, referencing the term used to measure the purity of gold or the weight of gemstones. Derived from the French word "carat" (pronounced "kah-rah"), the name would resonate with sophistication and luxury, suggesting a fragrance of exceptional value. For Spanish-speaking markets, the name was translated as 20 Quilates, aligning with the local term for carats. Some bottles bear the dual or even triple branding of 20 Carats-20 Quilates-20 Ks, reflecting the global reach and multilingual adaptability of the fragrance.

The name "20 Carats" evokes images of gleaming gold, sparkling gemstones, and timeless elegance. It conjures emotions of aspiration and indulgence, offering a touch of refinement in a turbulent era. Launched during the depths of the Great Depression, the fragrance offered a slice of escapism and a promise of luxury during a time defined by economic hardship. This was the period of the early 1930s, characterized by a stark contrast between austerity and the enduring allure of glamour. Despite the financial strain, women clung to beauty and fashion as expressions of hope. Hollywood’s Golden Age popularized sleek gowns, fur accents, and intricate accessories, fueling the desire for affordable luxury like an elegant fragrance.

To women of the time, 20 Carats symbolized sophistication, aspiration, and confidence. Perfumes were an accessible indulgence, allowing women to express their femininity and individuality, even amid societal struggles. A name like "20 Carats" suggested not only beauty but also resilience—a sparkling reminder of one’s intrinsic worth.

  

Voodoo by Dana c1949

Launched in 1949, Voodoo by Dana was a fragrance designed to captivate and seduce, living up to its evocative name. For the European market, it was alternatively spelled Vudu, ensuring its mystique transcended language barriers. Subtitled "Perfume of the Night," the fragrance promised an intoxicating, spellbinding allure—an invitation into the world of the unknown, where passion and mystery reigned.

The name Voodoo was undoubtedly chosen to evoke a sense of exoticism, mysticism, and forbidden power. Originating from the West African Vodun religion, the term was later adapted into Haitian Voodoo, a syncretic spiritual practice combining African traditions with Catholic influences. Pronounced “VOO-doo” in English, the word itself stirs images of hypnotic drumbeats, ritualistic dances, and an almost supernatural hold over the senses. It conjures emotions ranging from intrigue to fear, from desire to the thrill of the unknown. By naming the perfume Voodoo, Dana tapped into these primal, magnetic associations, crafting an aura of seduction and enchantment around the scent.

The late 1940s marked a period of transition in the world. World War II had ended, and the world was shifting into a new era of prosperity and cultural evolution. The post-war years saw the rise of film noir, smoky jazz clubs, and a fascination with the exotic. Women’s fashion embraced both feminine elegance and a growing sense of independence—nipped waists, full skirts, and sensual silhouettes reflected both nostalgia and a renewed confidence. The name Voodoo would have intrigued women of this era, offering them an escape into a world of sultry mystery, an olfactory journey to distant lands filled with temptation and danger. It was a fragrance for the bold, the glamorous, and the unconventional—a scent designed to leave a lasting impression.